By Barra Boydell

Christ Church has had a posh and sundry historical past because the cathedral church of Dublin, one in all Anglican cathedrals within the capital of a predominantly Catholic nation and the church of the British management in eire prior to 1922. An Irish cathedral in the English culture, but via a lot of its historical past it used to be primarily an English cathedral in a overseas land. With shut musical hyperlinks to cathedrals in England, to St Patrick's cathedral in Dublin, and to the city's wider political and cultural existence, Christ Church has the longest documented tune background of any Irish establishment, offering a special viewpoint at the historical past of song in Ireland.Barra Boydell, a number one authority on Irish tune historical past, has written an in depth learn drawing at the such a lot wide musical and archival resources current for any Irish cathedral. The choir, its composers and musicians, repertoire and organs are mentioned in the wider context of urban and kingdom, and of the non secular and political dynamics that have formed Anglo-Irish relationships given that medieval instances. greater than only a heritage of song at one cathedral, this e-book makes an enormous contribution to English cathedral track reviews in addition to to Irish musical and cultural history.BARRA BOYDELL is Senior Lecturer in track, nationwide collage of eire, Maynooth.

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Additional resources for A History of Music at Christ Church Cathedral, Dublin

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Berry, Register, p. 26. See below, p. 33. Mills, Account Roll, p. 19. 63 The six boys at St Patrick’s would have sung the plainsong of the daily Lady mass and votive antiphon in the Lady chapel, and possibly also at masses celebrated within the cathedral itself, very probably also improvising a descant to the plainsong according to widely practised traditions of polyphonic improvisation. 64 Participation by the boys in masses celebrated in the cathedral choir was possible in a secular cathedral such as St Patrick’s.

The fact that a synod held fourteen years later in 1186 at Christ Church itself found it necessary to declare its adoption within the diocese of Dublin is a reminder that actual implementation could lag significantly behind the issuing of synodal decrees. While the liturgy celebrated in most monasteries followed monastic use rather than secular (such as that of Sarum), Augustinian houses 1 2 3 4 NG2 xxvii, p. 558. For summaries of liturgical music in the pre-Norman English church see Caldwell, English Music i, pp.

Hand, ‘Psalter’; see also Hawkes, ‘Liturgy’, pp. 54–7. Pächt, ‘A Giottoesque Episode’. Hand, ‘Psalter’, p. 312. Pächt, ‘A Giottoesque Episode’; Hawkes, ‘Liturgy’. THE MEDIEVAL CATHEDRAL-PRIORY 15 Image not available Plate 2. 1200. (Photograph: Roger Stalley) might loosely be described as a rectangular ‘harp’, and two straight trumpets, together with two singers (Plate 3). The imagery is symbolic, reflecting the words of the psalm, and is certainly not an attempt to portray actual musical performance by the monks.

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